Wednesday, September 22, 2010

Sunday, Sunday, Sunday



When I was growing up, I lived close to Pomona, home to drag racing events of all kinds. (Well, the kinds with cars, nothing involving cross-dressing. As far as I know.) During the season, there were endless ads promoting the big events -- and that darn "Sunday! Sunday! Sunday!" announcer about every 15 minutes.

I feel a bit like that, as I've been promoting our next screening a bit heavily. Hey, I just want the tickets to sell out.

So, here's the spiel:

This Sunday, 1 p.m., our short documentary Hoop Springs Eternal will screen at the Coney Island Film Festival in Program 12. A fun time will be had by all. Advance-sales tickets are available for $6 so buy them now.

Don't make me come over to your house and act out the TV commercial version of this post.

Thursday, September 09, 2010

Dowser Interview Edits, Part Three

Dowser Video: Joan Sullivan, Bronx Academy of Letters from Dowser on Vimeo.

A while back, I edited four interview-based pieces for Dowser. Three are now online, so here's the third one.

Wednesday, September 08, 2010

Dowser Interview Edits, Part Two

Dowser Video: Elizabeth Scharpf, Sustainable Health Enterprises (SHE) from Dowser on Vimeo.

A while back, I edited four interview-based pieces for Dowser. Three are now online, so here's the second piece.

Tuesday, September 07, 2010

Dowser Interview Edits, Part One

Dowser Video: Maura Minsky, Scenarios USA from Dowser on Vimeo.

A while back, I edited four interview-based pieces for Dowser. Three are now online, so here's the first one.

Friday, September 03, 2010

GH1 1080p Camera Test (After Firmware Hack)

Panasonic GH1 1080p Camera Test from Ted Fisher on Vimeo.

Previously, I posted a one-minute video showing a "Stress Test" of the Panasonic GH1 in video mode.

For that, I shot 720p / 60 footage in Central Park -- and found generally great results, but that the camera clearly had its limits. A sharply-focused shot of highly-detailed trees combined with camera motion could hit the limit of the codec -- resulting in "mud" in the shot. (That is, poorly-resolved digital smearing. Think of a low-resolution JPEG.)

On the plus side: most footage turned out great, and if you planned your shooting you could get excellent HD video without some of the issues (moire, for example, and false detail) that the Canon HDSLR cameras were reported to be experiencing. (And the Panasonic allowed twice as much footage per gigabyte of memory, had no need for a specialized add-on viewfinder, could autofocus during video, presented a live histogram -- and so on.)

Since moving to Los Angeles I've applied the supersecret firmware hack to the camera. (Google it. I'll post more on the details soon.) So I decided it was time to test out the 1080p / 24 mode as well.

For this shoot -- purposefully handheld, shaky, and shooting subjects that tended to bring out "mud" in the stock GH1 -- I used lpowell's "40Mbps AVCHD High Reliability Patch" settings, recording 1080p/24 AVCHD clips. I then processed the MTS files using Voltaic and edited those transcoded clips with Final Cut Pro. I exported a 1080p QuickTime file, then used compressor to create the 1280 by 720 file I uploaded to Vimeo.

My thoughts: the "40 reliability" settings are excellent in quality and stable enough for documentary shooting. As well, all clips play back in camera. Follow the link to Vimeo if you want to download the 720p version -- but trust me that the full 1080p file is even better.

Friday, August 27, 2010

But What I Really Want To Do Is...

Are documentarians the new cool kids?

I dunno. But the Los Angeles Times, once again my hometown newspaper, seems to think so.

Word of Mouth: Documentaries are proving grounds for feature film directors

Every filmmaker stepping up from a different background brings unique skills, but documentary directors may be better equipped than most to deliver something that's frequently missing from narrative movies: emotional truthfulness. What's more, nonfiction storytellers directing narrative features are comfortable shooting in the increasingly popular verité style that mashes extemporaneous camera moves with scripted action and dialogue.
Of course, one could ask: "What happened to 'dance with who brung ya'?"

Sunday, August 22, 2010

Take the D Train



Our short documentary Hoop Springs Eternal -- made with Linda Goldman, Chris Corradino, Maya Mumma -- is scheduled to screen at the Coney Island Film Festival September 24 - 26.

More details soon.

Friday, August 20, 2010

Where the Heck I Am



You may be wondering where the heck I am.

I've been posting on another blog. Don't worry, I'll still be posting here.

I know: you weren't wondering, and weren't worried. In any case, here's a link to help you catch you up:

Los Angeles Portraits

Above: an iPhone snapshot from the Mission Inn, in Riverside, California.

Sunday, July 18, 2010

Tools



I'm puzzled by the way the pejorative "tool" migrated from "working for the man, part of the problem" to "easily used fool" to "penis."

I know the Boomers were full of crap. Still, at least they recognized that some types of achievement were, in the end, at the service of corrupt interests with a hugely negative impact on our world. Getting an advanced degree in Chemistry: amazing and good; working for Dow to make Napalm: horrifying and bad.

This is how I first, at a fairly young age, heard the phrase "You're a Tool" used.

It colored my academic experience: one should be loose and cool. The uptight bastards obsessing their way to a perfect score would win, but the prize was a corporate deskjob making some widget that would kill / poison / numb the masses.

Of course, as a teacher I know that concepts, ideas and facts tend to devolve. For example, I recently had to look up the biography of a filmmaker, and after some research found that the site ranked first on Google said:

"Mr. X was born in the City of Y." Which is not true. A few sites had published:

"Mr. X was born in Z, outside the City of Y." This was repeated as:

"Mr. X was born near the City of Y." Then corrupted as:

"Mr. X was born in Y."

The same thing happens with subtle insults. Not understanding the accusation "Tool" made against those who would be a cog in support of a mainstream culture that funded endless war, allowed corporations to poison the environment on a massive scale, celebrated sexism, racism, courseness and overconsumption, my generation began to use it in blunter and less-nuanced ways.

"He's such a Tool" might be said when someone was used or fooled, thickheadedly unobservant of the game. And it began a slow gloss toward:

"Tool!" Meaning: Penis! More precisely: Dick!

Which is, at a base level, somewhat accurate. Except the implication now was that the "Tool" didn't understand the subtle, finer points of the accuser's standards for social success. The "Tool" was not comprehending or able to achieve what was expected in the accuser's society.

Unfortunately, that's the Society of Corruption, the original target of the insult.

In other words:

"You're a Tool!" = You think you are achieving something great, but you're serving the Mainstream's interests. I'm rebelling against that culture, I think it is corrupt and destroys lives, souls and the planet. Playing in the background: the LP version of "Masters of War."

Became:

"You're a Tool!" = You are the person Fooled, Conned, Taken, instead of the one smart enough to do the Fooling, Conning, Taking. (Playing in the background: the VHS version of "Wall Street" with Gordon Gekko saying "Greed is Good" while Napster downloads "Down with OPP" in the background.)

Became:

"You're a Tool!" = There's no way you are going to win this Reality TV Show without gaming everyone, and if they're too dumb to know that they're being played it's their own fault. Read: my only obligation is to the Stockholders.

I realize that's a bit of a Rant, but here's why I'm thinking about this: filmmakers love to talk about Tools. The very concept is at the heart of Independent Filmmaking -- or any kind of filmmaking. The "Tools" are ALWAYS about to give new abilities to anyone / everyone / an entire generation.

And then they don't.

Above is a photo of Super 8 camera, aimed at high-end consumers, that included features low-budget filmmakers embraced. Many were purchased with that in mind.

The current fascination with Hybrid DSLRs -- now able to make 1080p HD video, allowing the use of interchangeable lenses for a film-like depth of field -- isn't that different.

Cue the voices saying that better Tools empower filmmakers. Sure. That's true.

But ... not if the filmmakers simply want to rehash the same sexist, corrupt, greedy, needy, self-centered pointlessness. It can be done at a profit, yes. But it makes you a Tool.

Sunday, July 11, 2010

Subdivisions



Above: a snapshot from The Whitney, taken Friday night.

Saturday, July 10, 2010

At Least Until The Next Time



Above: Baldessari revisited at The Whitney.

Thursday, July 01, 2010

All Sports Los Angeles Film Festival



Our documentary short Hoop Springs Eternal will screen at the All Sports Los Angeles Film Festival on Saturday, July 10th at Raleigh Studios' Fairbanks Theater. It's showing in "Short Series A" which starts at 11 a.m.

I won't be able to attend, but just for fun I'm going to move to Los Angeles a few weeks after the screening. It seems like a nice place.

Tuesday, June 22, 2010

Wall Street and Broad Street



Christie's Auction House is selling off a little bit of New York history. (The replacement signs are shown above, as snapped on Saturday).

Vintage Wall Street Sign To Hit Auction Block

Wall St. and Broad St. Original post-top style intersection street sign. Late-19th to early-20th Century.

Monday, June 21, 2010

You Can Do It



Now that's supportive.

Sunday, June 20, 2010

Merman



Over on my other blog I've posted a snapshot from this year's Mermaid Parade. Above: the King of the Sea.

Thursday, June 10, 2010

BCC Film Fest 2010



Student films tend to be .... student films. So how do you make a better experience for both filmmaker and audience? The answer: a five minute time limit. Takes away the chance to drag on. Forces the student to get to the point. Watchable, makeable. Perfect.

The films last night went beyond that, though: it was actually a good, tight set of styles, ideas and approaches. I was proud of the students I knew, and glad to see the work by the students I haven't worked with yet as well.

A fun time.

Wednesday, May 26, 2010

Lavalier Fail



By the end of a term in my TV Production class, everyone is able to successfully put a lavalier on an interview subject. We did 13 shows this semester, and used lavs in most of those, meaning there was a chance for everyone to get some practice.

So I was really surprised to see the above disaster during our skills test. I'm still not sure what happened. People get nervous, I guess.

I refrained from making any Viagra jokes, but had to take a snapshot for the "don't" file. Unless your subject is on the show for the ability to speak through his nipple, you might want that microphone aiming at his mouth, not hanging limply toward the ground.

(The student in question passed everything else, but clearly lost points here. Of course, the ironic thing is always that when a student makes a mistake like this and gets corrected, they end up never forgetting the right way.)

Thursday, May 13, 2010

In Case You Missed It

Watch more free documentaries
In case you weren't at today's screening at the Limelight Film Showcase, you can see Blind Faith: A Film About Seeing online. Give it a "like" or "Snag" the player and put it on your blog. See more about the film on IMDB and give it a rating.

Wednesday, April 28, 2010

Back in Town




Left the city for a documentary shoot over the weekend, but I'm back now. Details soon. Above: a view from 34th Street.

Wednesday, April 21, 2010

Camera Test A

Panasonic GH1 "Stress Test" A from Ted Fisher on Vimeo.

My first session with the Panasonic GH1. The goal of the shoot was to find the camera's limits. Everything was shot handheld, seeking out conditions which might prove difficult on this type of hybrid system.

So I shot quite differently than one normally would. Rather than panning smoothly, avoiding shots with extreme or complex detail or aiming for the often-recommended shallow-depth-of-field look, I aimed to make the camera struggle.

I think it performed very well. The next test will include quite varied conditions and a different style of shooting. I'm hoping to do a low-light test as well.