Appearing as an anonymous video expert, I have now officially spoken out -- for all of two seconds -- that blue fluff is more common than blue ectoplasm, and that cameras don't actually record ghosts.
The Inside Edition story is here.
Thursday, November 15, 2007
The Monochromatic Angels of Parma, Ohio
Posted by Ted Fisher at 11:52 AM 0 comments
Labels: television
Wednesday, November 14, 2007
I Mist It

I did not get to see the 6 p.m. showing of Inside Edition so I'm not sure if I'm on it or not. But note the otherworldly rectangle at the bottom of this snapshot: it baffles even the most confirmed skeptic.
Another snapshot over at New York Portraits.
Posted by Ted Fisher at 8:03 PM 0 comments
Labels: snapshots, television
Three Seconds of Immortality
I just went across town to be interviewed at Inside Edition. I believe I will be on tonight, for a very, very brief time. More soon.
Posted by Ted Fisher at 3:15 PM 1 comments
Labels: television
Monday, November 12, 2007
Taking "The Shot"
Well, sure, the idea of a "reality" television show about photographers might have jokingly crossed your mind once or twice in the past.
But did you think it would be as bad as The Shot is?
I mentioned the show to some photographer friends, and they watched it, and I feel sort of bad for that. Still, I'll probably suffer my way to the end. A challenge to photograph a model and a monkey? Even if it's bad, it's good.
Posted by Ted Fisher at 9:46 PM 0 comments
Labels: television
Friday, May 11, 2007
Friday, May 04, 2007
Nightline Update
I'm told the Nightline segment has been moved to Monday night.
Posted by Ted Fisher at 8:36 PM 0 comments
Labels: television
Thursday, May 03, 2007
You'll Be Out Then, But Nonetheless
While you are out Friday night having fun, Ted will be appearing in a taped segment of Nightline about digital technology's effect on the family album. Ask the bartender to change the channel to ABC about 11:52 p.m. or so to see if he says anything embarrassing.
As always, as someone who makes documentaries, it is very informative to be a subject on the other side of the camera. Although, really, it was about as you'd expect. They set up a light, got me in the right place, put a microphone on me, changed the chair I sat in, got the correspondent into her spot, then shot. At the end they took a lot of cutaways. Nothing out of the ordinary, just good basic newsgathering.
Posted by Ted Fisher at 1:19 PM 0 comments
Labels: television