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Often, I talk about work on this blog, but can't show it because it is showing in film festivals or otherwise not available for online distribution. So I'm always happy when I can post work. Here is the trailer I edited for the film Artistas: the Maiden, Mother and Crone -- a documentary directed by Sue May.
Saturday, December 20, 2008
Artistas: the Maiden, Mother and Crone
Posted by Ted Fisher at 11:32 AM 0 comments
Friday, December 19, 2008
First, Cut a Hole in the Box
Wired has an article about a "television studio in a box" that I found fairly amazing. I teach a television studio class, and we use a fairly expensive setup including a large switcher, audio mixing console, monitors, etc. to do switching (live editing) on three-camera setups. So it's impressive to see the equivalent in a small package at a sane price.
TV Studio in a Box Enables Long-Tail Television
"We had to take a process that normally has 5 to 30 people creating a show and make it easy enough for one person to run, [someone] who has never run a TV show before," explained Philips. Indeed, the TriCaster allows a single operator to mix multiple cameras (higher-end models support more cameras) interspersed with graphics, pre-recorded clips, real-time effects and more than 300 three-dimensional transitions. The box outputs to the web, television stations or big screens in churches and sporting arenas.
NewTek's entry-level TriCaster, with support for three cameras, costs $4,000. That may seem like a lot, but considering that it can be used in place of a mobile production vehicle, four grand is small potatoes, relatively speaking.
Posted by Ted Fisher at 9:32 AM 1 comments
Labels: editing, television production
Monday, December 15, 2008
Trailing Off
Since my recent adventure in cutting a trailer for a documentary, I've been thinking this might be something I should do more of. It has several pluses: it's a relatively intense, fast, and direct process and allows me to focus on editing instead of all the myriad details that even basic doc production requires.
Which doesn't mean I don't love doc production. It's just nice, sometimes, to do something that is a direct challenge: take this stuff, cut it into a trailer. I kinda like that.
Posted by Ted Fisher at 8:04 PM 0 comments
Labels: editing
Tuesday, December 09, 2008
Big Sky Here We Come
I admit it -- I've been doing all my posting over at my other blog: New York Portraits.
But I want to share one bit of good news over here: our film Bend & Bow will be screening at the Big Sky Documentary Film Festival in February 2009.
Posted by Ted Fisher at 11:25 PM 2 comments
Labels: big sky documentary film festival, film festivals, screenings