I really don't know what to say about this ad I photographed at Macworld in San Francisco yesterday. I had no idea Bruce Weber was even shooting for Apple.
Sunday, January 30, 2011
Friday, January 28, 2011
On my other blog on documentary photography I've been focused on photojournalism as a subject. So, lately, all of my reading has consisted of books written by photojournalists. I guess, if you think about it, that's not a great idea.
I mean, take people who are good at making pictures and ... have them write. Hmm.
That said, books about photojournalism don't have to be entirely about, you know, taking pictures. Sure, some photojournalists really consider that the important part. But if you want to sell some books, you might want to, you know, include other details.
Like, the specifics of your sex life.
Now, not everyone will be happy about that. You might get a mixed review here or there.
For example, here is Janet Reitman's review of Shutterbabe: Adventures in Love and War, the latest book I've finished reading.
Perhaps the first "cowgirl" memoir was Leslie Cockburn's "Looking for Trouble," a reflection of her highs (and occasional lows) over 25 years as a foreign correspondent and television producer. While filled with amusing insights, Cockburn's book, with chapter heads such as "Dinner With Drug Lords" and "Lunch With the Ayatollahs," rubbed many critics the wrong way. It suggested a blue-blood Yale graduate waltzing around war zones in designer bush-wear.
Now comes "Shutterbabe: Adventures in Love and War," Deborah Copaken Kogan's memoir about her life as a roving war photographer. It's an unfortunate title, but I was willing to give the book a shot given how rare young female war photographers are -- let alone those who write about the experience. Alas, "Shutterbabe" is not so much a cowgirl memoir as a "bang-bang" memoir: a self-aggrandizing story of the lusts and yearnings of a bored, post-feminist bad girl with a hankering to "see war."
Now that you know ... read it anyway.
Wednesday, January 19, 2011
You know what I need? Fifty ... Million ... Dollars.
The New York Times has a little article on how I can get that. I mean, they didn't name me specifically ... but I could really use the cash.
Ford Foundation to Put Up $50 Million for Documentaries
The Ford Foundation’s program, called JustFilms, will dole out money in three ways. The first involves partnerships with organizations like the Sundance Institute, whose Sundance Film Festival opens on Thursday in Park City, Utah. JustFilms will contribute $1 million a year over five years to support Sundance’s documentary film workshops, for instance.Short of that, I need to set aside a little more time to get a couple of films finished and out the door.
Ah, send the money anyway.